Daniel Gordon Work from Portrait Studio. “Brad Phillips – Hi Danny. Daniel? You just opened a show at Groeflin Maag Galerie in Zurich. I know you usually take a while to work on a single body of work – so what’s this body of work about? Daniel Gordon – Hey Brad. Yeah Danny is okay. […]

Wakaba Noda Work from Blink and Making a Map. “The above work is taken from Noda’s “Blink”, a series of diptychs. This series was given an honorable mention by famed critic Kotaro Iizawa at the 2006 Canon “New Cosmos of Photography” competition. About this work, Noda says that she “tried to make the physical body […]

Simon Berg Work from APAN ÄR RÄDD. You can buy the book here. “An intense portrayal of a seemingly meaningless everyday life. But these intimate close-ups show us something other than just eternally recurring routines. For out of the cracks from the civilized facade seeps another story forward, the story of a life where every […]

Marlon Kowalski Work from Plates. From what I can gather given the lack of contextual information on Kowalski’s Plates work, it is examining the nature of reproduction and photographic fidelity. The photograph, and photographed object hang side-by-side, now related to one another physically through the compelling referential reproduction and the existence of the “original”. This […]

Maryanne Casasanta Work from suffices to decide if the necessary mood is there. “Maryanne Casasanta’s work offers questions to unanswered histories and contemplates the elusive exchange between art and commonplace. These documents observe the space and pattern that ornaments the land, while paraphrasing a desire to be grounded.” – Maryanne Casasanta

Aimee Brodeur Work from Sculptures and Diary. There was no text to be found about this work, but they function so well as photo sculptures I wanted to share them. I am particularly drawn to the process errors in these works as an aesthetic, but I am not sure if their intent moves beyond that. […]

Osamu James Nakgawa Work from Banta. “In Okinawa, the precipitous cliffs that fall hundreds of feet to the ocean below are called banta. For years I have carried with me a vivid memory of the first time I stood atop these cliffs—a memory of beauty in the endless blue expanse of sea and sky intensified […]

Edward Burtynsky Work from Urban Mines and Breaking Ground. “Nature transformed through industry is a predominant theme in my work. I set course to intersect with a contemporary view of the great ages of man; from stone, to minerals, oil, transportation, silicon, and so on. To make these ideas visible I search for subjects that […]

Jørund Aase Work from his World and Garden. “I have been trying out different kinds of medias. I usually don´t work within one specific media but uses those which fit my ideas. It can be painting, sculpture, installation, photo, video, sound, etc. I think art has the potential to stimulate people to experience the world […]

Ryan McGinley Work from Moonmilk. “McGinley describes his work as a journey, and his photographs form a ʻtravel logʼ which captures his experiences across the American landscape. This particular adventure pushed his troupe to new levels of bravery, testing the participantsʼ fortitude and endurance in hazardous conditions. McGinley recalls, “there is something prehistoric about a […]