Yves Klein Work from his oeuvre. “Due to the fact that I have painted monochromes for fifteen years, Due to the fact that I have created pictorial immaterial states, Due to the fact that I have manipulated the forces of the void, Due to the fact that I have sculpted with fire and with water […]
Archives for the Month of October, 2012
Ellsworth Kelly
Wednesday, 10 October 2012
Ellsworth Kelly Work from his oeuvre. “American artist Ellsworth Kelly is universally recognized as one of the most important purveyors of American abstraction. Born in Newburgh, New York, Kelly studied at the Pratt Institute in Brooklyn until he was drafted into the U.S. Army at the age of 20, spending the majority of his military […]
Ole Martin Lund Bø
Tuesday, 9 October 2012
Ole Martin Lund Bø Work from With Day for Night. “…The title refers to a cinematographic technique used to simulate a night scene, while shooting at day time. Tinted glass, metallic foil, dark wooden boards, a furry tennis ball. Familiar features from storefronts, lowriders, executive offices and clay courts. These works are extractions, rather than […]
Bethan Hews
Monday, 8 October 2012
Bethan Hews Work from her oeuvre. “‘Piss off I’m a fountain!’ an abusive notice board proclaims in white plastic letters on a black ground. Are these the words of an offended ornament that we have mistaken for a urinal? Or are they the angry reaction of a readymade that feels it has not been identified […]
Chadwick Rantanen
Sunday, 7 October 2012
Chadwic Rantanen Work from his oeuvre. “The objects are easily transportable, erectable and dismountable. What’s more, in an exhibition context they are visually reticent. Like Barnett Newman’s zips or Fred Sandback’s yarn vectors, they oscillate between asserting themselves as figures in the foreground and receding as gaps or spatial incisions. In pictures (and perhaps too […]
Kazimir Malevich
Saturday, 6 October 2012
Kazimir Malevich Work from his oeuvre. “…In 1911, when Kandinsky speaks in “On the Spiritual in Art” about the reduction of all painterly mimesis, all representation of the world—the reduction that reveals that all paintings are actually combinations of colors and shapes—he wants to guarantee the survival of his vision of painting through all possible […]
Michal Kohút
Friday, 5 October 2012
Michal Kohút Work from 0,1. “The average blink occurs in just 100-400 milliseconds–so fast that we barely acknowledge the world going black ten times a minute. Blinking is an ingenious, semi-autonomic function that allows us all to worry about bigger problems than perpetually rewetting our eyeballs. “0, 1” is an installation by Michal Kohút (with […]
Carol Bove
Thursday, 4 October 2012
Carol Bove Work from her oeuvre. “…The focus of her artistic endeavor is an immense research project: by means of enquiring into the social history and art of the late 1960s and early 1970s, she relates the latter to the present and lends it greater depth. Here, she is as much interested in popular literature […]
Michael Bell-Smith
Wednesday, 3 October 2012
Michael Bell-Smith Work from “mbs_fp_090712” at Foxy Productions, New York. “It is impossible to identify a beginning or end to any ofMichael Bell-Smith’s four new videos. By convention they should be called loops, but the word feels wrong here. A loop creates the impression of an image fallen out of time through repetition, whereas Bell-Smith […]
Color Chart
Tuesday, 2 October 2012
Color Chart Exhibition at MOMA (2008). The above works are (in order) Christopher Williams, François Morollet, On Kawara, Gerhard Richter and Richard Serra. “When I started learning about the art of the 1960s, about ten years ago, the period seemed book-ended by two texts: Clement Greenberg’s After Abstract Expressionism (1962), which accounted for the importance […]