Thursday, 9 July 2009
Work from Anomalies.
“Lange’s photographs also seem to reference photographic modes from the document and the archival oddity. They are reminiscent of the book, Evidence, by Larry Sultan and Mike Mandel, where the dislocation and seeming randomness of the objects and scenes photographed imbue the work with an atmosphere of intrigue. The harsh flash and ultra-high contrast also lend Lange’s images a forensic feel, as if they had been made to prove or disprove some criminal allegation. They are, I am sure, made for no such reasons, but it is hard to disengage yourself from the history of practical uses of photography when faced by such enigmatic work. It would also be easy to view Lange’s images conversely, as sitting outside reality because of the technique that he employs, as untrue representations of the ‘real’ object or as caricatures…” – Gordon MacDonald from Photoworks Magazine, found via The Exposure Project.