Tuesday, 12 April 2011
Work from Primary Structures.
There is a fascinating analogy regarding this work, and a compelling argument about the traditional roots of internet art over at Bad at Sports.
“Over the past forty years, Lynda Benglis has developed a distinctive and influential sculptural language. Benglis rose to prominence during the 1960s and ’70s, a time when her singular practice both intersected with and transcended the categories of post-Minimalism and feminist art. Benglis’s sculptures suggest a remarkable range of influences, including the gestures of Abstract Expressionist painting, geological flows, and ceremonial totems. They rely on both exposing process and crafting feats of illusion to create sumptuous forms.
Alongside her sculptural output, Benglis created a radical body of work in video, photography, and media interventions that explore notions of power, gender relations, and role-playing. These works function in tandem with her sculpture to offer a pointed critique of sculptural machisimo and suggest a fluid awareness of gender and artistic identity. They also contribute to an understanding of the artist’s objects as simultaneously temporal and physically present, intuitive and psychologically charged.” – The New Museum.