Haroon Mirza Work from his oeuvre. “In his work Haroon Mirza attempts to isolate the perceptual distinctions between noise, sound and music and explores the possibility of the visual and acoustic as one singular aesthetic form. These ideas are examined through the production of assemblages and sculptural installations made from furniture, household electronics, found or […]

Breach @ Rod Barton Gallery “Rod Barton Gallery is pleased to present Breach, an exhibition focusing on four young artists who embrace photography’s plasticity and it’s ability to exist in multiple contexts. Taking advantage of the medium’s inherent instability, they further explore and challenge our understanding of the medium. The title refers to both a […]

Mark Leckey Work from See We Assemble. ” In a multi-disciplinary practice that encompasses sculpture, sound, film and performance, Leckey explores the potential of the human imagination to appropriate and to animate a concept, an object or an environment. Drawing on his personal experiences as a London-based artist, who spent his formative years in the […]

Kianoosh Motallebi Work from The Matrix. “Incandescent lamp fused with a flourescent light. The two otherwise incompatible technologies are forced to operate in the same space, creating a dynamic system that ultimately leads to dysfucnction of both light sources.” – Kianoosh Motallebi via Triangulation Blog

Davi Raymond Conroy Work from his oeuvre. “From spiritual transfiguration to critical resistance, some form of distance has always been attributed to the artwork. This distance has historically been considered somewhat revelatory in that it announces a beyond that might open to either sacred or secular enlightenment, and perhaps more recently politics. That the artwork […]

Daniel Freytag Work from Monolith Alright, I am going to take a quick stab at this work based purely on how the aesthetic of these pieces fit in the scope of contemporary works. However, this particular aesthetic (similar to the superdutch) has a loose connection to the remainder of Freytag’s work. What I find most […]

Teo Ormond-Skeaping Work from In the Fulcrum of Our Dreams. “In Ormond-Skeaping’s multi-layered canvas the more bewildering aspects of dreamscape are invoked: sensations of symbolic import paired with faces that may have no relevance in daily life but in dream logic summon up powerful archetypal associations, creating wave of skin-prickling wave of weird emotional resonance. […]

Sarah Pickering Work from Explosion. “…Finally, Pickering’s Explosion photographs (2004–present) are shot at sites where fake bombs are deployed for military personnel interested in buying pyrotechnics. Manufactured by some of the same companies that make explosives for action/adventure and war films, the bombs are built for use in military training exercises. Pickering captures the explosions […]

Nicky Walsh Work from her oeuvre. “The notion of the generic, the all encompassing surface of something that seeks to include everyone and simultaneously refers to no one. This work became about objects that manifest the idea of the corporate environment and mass production. By stripping away all evidence of history, culture, identity, location, time […]

Tim Steer Work from his oeuvre. “How do we account for the affect of materiality in a particular work? One way to think about it is as a process. This is not an original point. In “The Time of Digital Poetry: From Object to Event”, Katherine Hayles develops a more sophisticated description of materiality than […]