Samara Scott Work from her oeuvre. ” I think about it as a sort of liquidy making, where naive absent-minded processes direct material – leftovers, scum, scraps that I surround myself with – and trickle it through all sorts of ranges. This might be anything from an interiors range, a fashion range or a range [...]

Ori Gersht Work from Blow Up and Time After Time. “The large-scale photographs entitled Blow Up depict elaborate floral arrangements, based upon a 19th Century still-life painting by Henri Fantin-Latour, captured in the moment of exploding. Gersht´s compositions are literally frozen in motion, a process dependent on the ability of the advanced technology of photography [...]

Max Marshall Work from Fabulous Views. “In the series Fabulous Views, I examine through photography how we define nature, and how that idea of nature coexists with human interaction. Traditional depictions of the wild consist of desolate areas, lush trees, waterfalls without a human presence. However, this notion is not the most pervasive in contemporary [...]

Thomas Hauser Work from Amazona. “At first glance, it seems to Thomas Hauser’s series AMAZONA very clearly act to an interpretation of the still life genre. Lush floral arrangements are displayed with great care in all its beauty and immortalized, as you might find it too similar to an old Dutch paintings. On closer examination, [...]

Wyne Veen Work from his oeuvre. “My central theme is uselessness. I feel that life is ridiculous. The products and arrangements I show are a reflection of investments of time and effort by men.  They show the development of our society just like the old 17th century famous Dutch still lives did. But I don’t see this [...]

Takeshi Murata Work from Get Your Ass to Mars “Murata uses objects that already exist in the world, playing with their inherent narratives and associations. Murata’s still lifes are composed of arranged objects such as VHS cassette tapes, fruit, skulls, cracked iPhones, musical instruments, and beer bottles. He places these objects in a virtual space [...]

Charlott Markus Work from Pygmalion. “Charlott Markus constructs still life arrangements that manifest as site-specificinstallations or photography. Her work explores an intermediate stage, they are betweenfamiliar and unfamiliar. Thus she uses leaving spaces and materials are affected and have no further function. In precise composition given objects and places with a history of their role in a new reality. Markus’ sense of the picturesque, the tactile and sculpturalimages in her compositions gives a poetic and timeless power.” – ACF translated by google.

Amy Stevens Work from Confections. “The Confections series began as a response to turning 30. It was a celebration of birthdays, color, pattern and obsessive absurdity. My original idea was to bake 30 birthday cakes for myself and photograph them. I didn’t quite make it to 30 cakes in time for my thesis show, but I [...]

Heidi Norton Work from New-Age Still Lives. “This indeterminate physicality with different physical planes–it is beautiful and confusing, everything starting and reversing.”– Robert Irwin “New Age Still Life: Paint, Plants, Trash, and Formalism are studio constructs utilizing plexi and wood shelves, plants and other objects that are representational of my youth. They are things borrowed [...]

Gregory Krum Work from …Practice… ____________________________ Three approaches to a fundamental concept:– Devotion to an endeavor. Manifested as images from the climbers’ cemetery in Zermatt at the base of the Matterhorn, images of dust and sand whose form is stolen from pictures I love or react to, i.e. Vija Celmins or Thomas Struth. Portraits of [...]