Farah Al Qasimi


Farah Al Qasimi

Work from Arrival.

“Arrival, Farah Al Qasimi’s third solo exhibition at The Third Line. Using the language of horror cinema, Al Qasimi reveals a new body of work featuring jinn folklore across the UAE.

“The show premieres Farah’s first feature-length film; a 40 minute horror-comedy titled Um Al Naar (Mother of Fire). In it, a fictional Reality TV network has produced a segment on Um Al Naar, a Ras Al Khaimah-based Jinn. Um Al Naar narrates the region’s changes from its occupation by Portuguese and British naval forces to its current adoption of a national identity based around tolerance and a drive to generate culture. She pays close attention to these changes in their day-to-day iterations: the gendered pastimes of the country’s youth, waning trust in traditional forms of spirituality and medicine, and the loss of history in an urgent bid for novelty.

The photographs in the exhibition are moments pulled from the world she describes. She follows a baker with an Instagram business making buttercream roses, dance parties in which the only participants are men, and moves throughout homes looking at indicators of bodies and their personal style. Um Al Naar laments the formalities and social constructs of modern-day life, longing for a more fluid, interconnected world in which there is ample space for the paranormal, the unseen, and the absurd…” – Third Line Dubai

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