Marget Long Work from You Were Driftng. “You Were Drifting is a two-channel video installation composed of clips from twenty films that depict the advent of a mirage. The stacked monitors create a secondary mirage effect; the inverted lower monitor “refracts” the scene in the upper monitor. Presence and absence, desire and impossibility, delirium and […]
Archives for posts tagged ‘video’
Manfred Mohr
Monday, 8 April 2013
Manfred Mohr Work from his oeuvre. “…The inevitable question that arises in response to algorithmic based art is the aesthetic value of something where the work is supposedly done primarily by a computer. The artist to some is perceived as absent from such mathematical constraints and rules of logic. It’s as if to give way […]
Florence To
Thursday, 14 March 2013
Florence To Work from Fovea by Florence To “”Providing a constant background upon which a stimulus can be superimposed: an absolute threshold upon the dark-adapted state, a differential threshold upon the light-adapted state. Hecht had written equations for the steady state; and by assuming that the visual threshold, absolute or differential, corresponds to a constant increment […]
Jon Kessler
Sunday, 10 March 2013
Jon Kessler Work from his ouvre. “The Web is an immersive installation that addresses the significance of the Internet and mobile devices in our lives while simultaneously examining the role of the viewer. The idea for the piece came to Jon Kessler on a New York subway ride when he realized that at least half […]
Jon Rafman
Sunday, 17 February 2013
Jon Rafman Work from Remember Carthage. “An essay film in the tradition of experimental documentarians like Chris Marker or Harun Farocki, Remember Carthage takes the viewer on an epic journey in search of an abandoned resort town deep in the Sahara desert. However, one travels not through archival or personal images but through footage sourced […]
Taylor Holland
Saturday, 15 December 2012
Taylor Holland Work from Vector Fields. “Animations of sports fields created with Adobe Illustrator and pirated screen-capture software. The speed of play is relative to the ability of my MacBook to process the effect in real time. Presented in two full counterclockwise rotations.” – Taylor Holland Related posts: FIELD Nate Boyce Olve Sande Niels Trannois
Semiconductor
Thursday, 22 November 2012
Semiconductor Work from Brilliant Noise. “Brilliant Noise takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files, made accessible via open access archives, Semiconductor have brought together some of the sun’s finest unseen moments. These images have been kept in their most raw form, revealing the energetic […]
Hilary Lloyd
Friday, 2 November 2012
Hilary Lloyd Work from her oeuvre. “Hilary Lloyd’s work is predominantly realized through the presentation of sequential images, either within video or slide installations. This work is rooted in Lloyd’s observation of people, objects and spaces. Each individual piece portrays its subject in isolation: men working at an outdoor carwash in Sheffield, UK (Car Wash, […]
Michael Bell-Smith
Wednesday, 3 October 2012
Michael Bell-Smith Work from “mbs_fp_090712” at Foxy Productions, New York. “It is impossible to identify a beginning or end to any ofMichael Bell-Smith’s four new videos. By convention they should be called loops, but the word feels wrong here. A loop creates the impression of an image fallen out of time through repetition, whereas Bell-Smith […]
Diana Thater
Sunday, 2 September 2012
Diana Thater Work from her oeuvre. “Diana Thater’s video installations describe a technologically mediated nature while revealing the mechanics of media representation. Thater has applied red, green, and blue colored gels—representing the elemental palette of video—to the glass walls of the museum’s café, transforming the entire space chromatically while at the same time, introducing us […]