Zoe Leonard

Zoe Leonard

Work from Al río / To the River.

“Following the river’s course from the border cities of Ciudad Juárez and El Paso to the Gulf of Mexico, Leonard considers the conflation of, and boundaries between, nature and politics as they manifest in the landscape.

‘Al río / To the River’ is structured through ‘passages,’ sequences of photographs that impart a sense of movement. Pointing to the dynamism of the river, Leonard groups images so that the topography and communities depicted invite associations and interpretations from the viewer.

The artist depicts the river and surrounding borderlands with an eye for the complexity of the various ecosystems, communities, and histories that converge at the river—from families swimming off the riverbank at Ciudad Juárez, to helicopters and border patrol vehicles on sentry; and from dams and irrigation canals, to bridges and boundary markers.

In thoughtfully composed, black-and-white analogue photographs, Leonard reveals the tensions that erupt when a river is made to perform a political task. Like much of Leonard’s work, ‘Al río / To the River’ reflects upon the historical role that photography has played in defining territories and shaping social consciousness as well as its present function as an instrument of surveillance.

By employing a range of perspectives from both sides of the river, her work blurs the various binaries so often ascribed to the border and underscores the often-imposing infrastructure that has been built around the river.

The full work, ‘Al río / To the River,’ encompassing hundreds of photographs, debuted at MUDAM, Luxembourg, in February, and will travel to the Musée d’Art Moderne, Paris this fall. Hauser & Wirth’s exhibition presents excerpts from this epic project for the first time in the United States.” – Hauser and Wirth