Pierre Schwerzmann Work from “Two” at Skopia, Geneva. “At first glance, then, the eye is attracted by the vibrations of the light well at the centre of the painting. The immediate effect of these vibrations is to prevent the gaze from settling and to incite the body itself to start moving in order to adjust. […]

Sam Falls, Federico Maddalozzo, Julia Rommel Work from “Good Luck & Safe Journey” at T293, Naples. “The exhibition examines the procedures and repeated gestures used to structure works in a certain way and open them up to random luck and chance, be it natural or employed. In their final forms, the works by Sam Falls, […]

Juliette Bonneviot Work from her oeuvre. “In The Record of the Classification of Old Painters, sixth century Chinese art historian Xie He established the ‘six principles of painting,’ classing artists into six categories. The first was ‘Spiritual Resonance,’ while the final was ‘Transmission by Copying.’ These two poles, and what lay between, hence emerged as a critical […]

Jay Shinn Work from his ouevre. The below text is from Post-Op at Mixed Greens. “Mixed Greens is thrilled to present Post-Op, a group exhibition exploring the influence of Op Art within contemporary visual art practice. The recognizable movement of the mid-60s was dismissed by many critics of the time, but the movement—grown out of […]

Nathaniel Smyth Work from Maps and Spaces. “Using the snapshot as a metaphor for visual perception, I experiment with strategies of arranging those perceptions to investigate the various ways our minds understand the space we inhabit. Using images from both personal and mass culture as a form of cumulative experience, I layer the images to […]

Linda Kostowski and Sascha Pohflepp Work from Export to World. “The success of multi-player environments has meant the advent of economic forces in the world of online gaming and the threshold separating playful simulation and the real world has been lowered a notch. Phenomena like sweatshops and shady transactions that once manifested themselves only in […]