Katja Mater Work from Celebrating RGB Colour Space. “In the series Celebrating RGB Color Space, I create stretched exposures while colored object are photographed while being made to move.  The emphasis is no longer on the catching of a moment, but on the construction of an image during the time the shutter is open. The […]

Jacob Riddle Work from .jpg. “All digital files are made up of information. This is the biggest difference between what is virtual and what is physical. .jpg is an acknowledgment of the digital information that creates what we view as an image. Beyond just acknowledging the image information, the code is manifested in the physical […]

Jason Huff was born in Atlanta, GA in 1981. He recently received his MFA in Digital+Media from the Rhode Island School of Design. His work was recently exhibited at the MFA Thesis Exhibition at the Rhode Island Convention Center. Current and upcoming shows include Pixilerations in Providence, RI and BYOB in Cincinnati, OH. His project […]

Aram Bartholl Work from 0,16. “0,16 is a light installation in which the shadows of a passer-by is transformed into ‘pixels’. The installation consists of a wall built of small square frames covered front and back with transparent paper. A third layer of paper is attached in the centre of the frames. A lamp shining […]

Nik Daves Work from d PlsUR of d Txt. “There are many different types of intelligence and this book aims to confuse anyone who holds on to our dusty, outdated academic assumptions. This book is an attempt at an Esperanto equivalent for our differing intelligences.” Nik DAvEz Text messaging has often been treated by our […]

Comenius Roethlisberger and Admir Jahic Work from Without You Baby There Ain’t No Us. “In an attempt to disrupt the haphazard collection of archived videos that YouTube has become, artist duo Comenius Roethlisberger and Admir Jahic transformed the visual (and virtual) language of “broadcasting” into a physical medium by producing drawings on heavy handmade paper […]

Jonathan Zawada Work from Over Time. “…The landscape topographies were derived from graph data (displayed as printed mirrors on accompanying plinths), modeled in 3D and then oil paintings created from those 3D renders. See more; Zawada collected and compared a variety of data series that extrapolate information over time, such as “Marijuana usage among year […]