Amalia Pica Work from her oeuvre “When the term “romantic conceptualism” reached its apotheosis several years ago, the touchstone appeared, almost unanimously, to be Bas Jan Ader’s I’m Too Sad to Tell You (1971). Gushing affect, it also self-reflexively performed the romantic artist’s predicament: the subjectivity romanticism gives license to profess proves, alas, incommunicable. Consistently […]

Esteban Pastorino Diaz Diaz’s work with a kite and shift plane focus was some of the first work that I saw turning reality into a scale model diorama of life. What still blows my mind a little bit is that these are real, not scale models.