Joëlle Tuerlinckx Work from EL CASO DE L(A CASA) MUSEO(A). “The work of Joëlle Tuerlinckx (Brussels, Belgium, 1958) challenges us on such seemingly abstract issues as space and time, although translating these concerns into the viewer’s experience within the exhibition space and the temporalities it contains. By assuming and transforming the legacy of conceptual art, […]

Robert Morris Work from his oeuvre. “Robert Morris (1931–2018) was one of the most influential figures in postwar American art. His extraordinarily versatile practice encompassed dance performance, minimalist sculpture, earthworks, drawing, painting, film, photography, collage, readymades and theoretical essays. Primarily based in New York City, the artist explored in his oeuvre the perception of objects, […]

Manfred Mohr Work from his oeuvre. “…The inevitable question that arises in response to algorithmic based art is the aesthetic value of something where the work is supposedly done primarily by a computer. The artist to some is perceived as absent from such mathematical constraints and rules of logic. It’s as if to give way […]

Kjell Varvin Work from his oeuvre. “In Kjell Varvin’s installations, drawings and sculptures, geometry and anarchy combine to take on an astonishing life of their own: the compositions grow out of the wall, or into it, it’s hard to tell. The components, some two-dimensional drawings and some built in three dimensions, consist mostly of clear, […]

François Morellet Work from his oeuvre. “…For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the “constraints” or “rules” that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, […]

De Wain Valentine Work from his oeuvre. “The sculptures that Mr. Valentine has made over the last four decades — quasireligious incarnations of coastal light and air made from some of the most sterile, synthetic materials ever produced by American industry — are not exactly low-end  bartering chips. They have been showing up with increasing […]

François Morellet Work from his oeuvre. “…For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the “constraints” or “rules” that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in […]

Ellsworth Kelly Work from his oeuvre. “American artist Ellsworth Kelly is universally recognized as one of the most important purveyors of American abstraction. Born in Newburgh, New York, Kelly studied at the Pratt Institute in Brooklyn until he was drafted into the U.S. Army at the age of 20, spending the majority of his military […]

Gerard Byrne Work from A thing is a hole in a thing it is not. A thing is a hole in a thing it is not. As this title–a quotation of Carl Andre’s famous dictum–suggests, Byrne’s attention here will be on the historical reception of Minimalism as a movement, a history that is resonant within […]

Neil Clements Work from Bad History. “There are bubbling-under theatrics in this solo exhibition by Neil Clements. A recording of a grandiose synthetic organ refrain plays on a loop, aurally filling the warehouse gallery space as it circles the pitched ceiling, whistling into the decayed holes in the roof and reverberating in the invasive foliage […]