Archives for posts tagged ‘appropriation’

Sean Higgins

Sean Higgins Work from Difficulties with Interplanetary Travel. “Through his pieces, Higgins prods at the human instinct to associate images with the familiar. Namely, there is a tendency for viewers to look for a “real” object/place that exists or has existed when confronted with an amorphous shape in nature, like a cloud or unidentifiable landmass. […]

Eddie Whelan

Eddie Whelan Work from his oeuvre. “There’s something -I don’t know -insouciant about these School of Athens folks. That’s one of the definite links, a kind of throw away, thrown together quality, that teases because I’d be equally unsurprised to learn that every second was laboured over mightily. (Think not though, but of course that’s […]

Gert Jan Kocken

Gert Jan Kocken Work from Judenporzellan. “Street photographers have only a vague notion of what they’re looking for. But the moment the right situation does reveal itself, they recognise it immediately and leap into action. In the case of Dutch visual artist-photographer Gert Jan Kocken, the process is exactly the opposite. He knows what he’s […]

Jon Rafman

Jon Rafman Work from Google Street Views.  “Two years ago, Google sent out an army of hybrid electric automobiles, each one bearing nine cameras on a single pole. Armed with a GPS and three laser range scanners, this fleet of cars began an endless quest to photograph every highway and byway in the free world. […]

Abe Linkoln, et al.

Abe Linkoln Work from Screenfull, Universal Acid and Disco-nnect. “A trippy pixelated skull and a playlist of warped samples greet visitors to Screenfull.net, the collaborative blog by artists Abe Linkoln (USA) and jimpunk (France). If you like noise bands, dial-up (their browser-slowing tricks tend to frustrate navigation), or the endurance tropes of experimental work, you’ll […]

Jon Feinstein

Jon Feinstein Work form Pure Aesthetics and From Russia with Love. “Pure Aesthetics rejects the tendency to find meaning and substance from superficial visual experience. Building on Clement Greenberg’s ideas about abstract expressionism and the need for a tactile and purely visual perception of artwork, the images have little concept beyond their physical properties. Shiny, […]

Curtis Mann

Curtis Mann Work from Modifications. “The original imagery in Curtis Mann’s Modifications series is copied from a variety of sources: online auctions, photo-sharing websites and estate sales, in a sense creating a fictional archive through the artist’s selection and collection of other people’s photographs. Mann’s appropriated archive is acquired in digital form. He first makes […]

Richard Prince

Richard Prince Work From Untitled (Publicities). “Richard Prince has heard America singing, and it is not in tune. The paradoxically beautiful, seamless 30-year survey of his work at the Guggenheim Museum catches many of our inharmonious country’s discontents and refracts them back to us. The central message of this array of about 160 photographs, drawings, […]

Mickey Smith

Mickey Smith Work from Collocations and Belive You Me. _______________________________ Volume documents bound periodicals and journals in public libraries. Most of these publications are being replaced by their online counterparts. Several titles photographed in the process of this project have been destroyed. Searching endless rows of utilitarian text, I am struck by the physical mass […]

Darryl Lauster

  Darryl Lauster Works from his oeuvre, which can be seen at Devin Borden Hiram Butler Gallery and Barry Whistler Gallery. Title List (in Order): 1. Exercise Desert Rock, D-Day blast at Yucca Flats, 1951, photograph by Cpl. McCaughey, from the National Archives Records of the Office of Chief Signal Officer 2. A Young Civil […]