Wade Guyton Work from his current exhibition at Petzel. “In 2007 Guyton showed a series of black paintings made with his Epson 9600 printer and covered the gallery’s concrete floor with a facsimile of his studio’s plywood floor. This time he has made five new works on linen specifically for the gallery’s walls. Using the […]

Edgar Martins Work form The Rehearsal of Space & the Poetic Impossibility to Manage the Infinite “In 2012 I approached the European Space Agency with a very ambitious proposal: to produce the most comprehensive survey ever assembled about a leading scientific and space exploration organization. I have contacted ESA at an interesting time in their history when they […]

Halina Kliem Work from her oeuvre. “We find here a characteristic logic, the peculiar logic of the “inside out” (‡ l’envers), of the “turnabout,”, of a continual shifting from top to bottom, from front to rear, of numerous parodies and travesties, humili- actions, profanations, comic crownings and uncrownings. Mikhail Bakhtin I have spent all my […]

Collin Snapp Work from his oeuvre “In a world where technology relegates us to the status of objects observers observed where ordinary experience is so infiltrated with media isolating organic life moments becomes on one hand a keepsake and on the other hand the spectacle of visibility of growth something utterly distanced from tory involment It […]

Diane Simpson Work from her oeuvre. “The six pieces in the show all appear to be based on wearable items that have had three-dimensionality steam-pressed out, but that still retain a sense of volume and, additionally, assume new functional identities. A brand new work, “Collar (Pagoda),” appears to be the enlarged version of a clerical […]

Surface Poetry at Boetzelaer|Nispen. “Today, the digital screen has become the predominant surface for engaging with visual content. The texture of the digital screen, characterized by its flat surface, artificial smoothness, juxtaposition of different windows, and chromatic backlit glow, constitutes the aesthetic framework in which we perceive and act upon a large part of the […]

Jeff Thompson Work from Computers on Law & Order “In the fall of 1990, a television program about crime, police investigation, and criminal trials named Law & Order aired for the first time. The show eventually ended in 2010, tied with Gunsmoke for the longest-running live-action television show at 20 seasons and 456 episodes.[1] With its unique (and consistent) style and […]

Scott Lyall Work from Indiscretion at Miguel Abreu Gallery. “Lyall’s paintings, which are in fact digital prints on stretched canvas, are mounted on monochrome backings that frame them, double them, and space them in relation to their environments. As color field images – or the lack of such images – the paintings are generated using […]

Mia Goyette Work from The blues, you lose “Goyette employs a wealth of materials, from fake flowers and electrical wires to resin casts of consumer goods; she couples production with anti-production to expose an alternative physical world. For her installation at Vitrine, technological, natural and domestic worlds sit together; taken as a whole, they suggest the […]

Jeff Elrod Work from his oeuvre. “Jeff Elrod (American, b. 1966) creates abstract paintings using basic computer software as a starting point for his artistic process. He began painting abstractions of video game imagery in the early 1990s before using computers, starting in 1997, to facilitate paintings through a technique he calls “frictionless drawing.” While […]