Archives for the Month of August, 2013

Liubov’ Popova

Liubov’ Popova “In 1912 and 1913 Lyubov Popova studied in Paris. So she was very familiar with the developments of Cubism. She also made trips to Italy where she saw Futurist work firsthand. But unlike either Cubism or Futurism she really takes a jump and severs this connection with the visual world to try to […]

Erik Bulatov

Erik Bulatov From top to bottom: Not to be Leaned On (1987), People in a Landscape (1976), Two Landscapes on a Red Background (1972-74), Horizon (1971-72) “Eric Bulatov was born in Sverdlovsk in 1933 and was raised in Moscow. He began his studies at the Moscow School of Art and finished at the Surikov Institute in 1958. After working several years […]

Ralston Crawford

Ralston Crawford From top to bottom: Whitestone Bridge (1939), Boat and Grain Elevators No. 2 (1942), From the Bridge (1942), Nassau #5 (1963-1967) “Painter, printmaker, and photographer Ralston Crawford created both abstract compositions and representational images characterized by precision, clarity, and rational geometry. Crawford spent his youth in Buffalo, New York and often accompanied his father, a ship’s captain, on travels on […]

Milton Avery

Milton Avery From top to bottom: Interlude (1960), Black Sea (1959), White Sea (1947), Offshore Island (1958) “Milton Avery’s landscapes, still lifes, and figure compositions derive their expressive power from their abstracted, flat shapes and luminous yet subtle color. His subjects seem unremarkable, but the manner in which he treats them is exceptional, for through his strong, simple designs, his intimate scenes […]

Andrew Wyeth

Andrew Wyeth From top to bottom: Christina’s World (1948), Snow Flurries (1953), Brown Swiss (1957), Her Room (1963) “Wyeth gave America a prim and flinty view of Puritan rectitude, starchily sentimental, through parched gray and brown pictures of spooky frame houses, desiccated fields, deserted beaches, circling buzzards and craggy-faced New Englanders. A virtual Rorschach test for American culture during the better part of the […]

Vilhelm Hammershøi

Vilhelm Hammershøi From top to bottom: Interior (1899), Interior (ca. 1903-1904), Sunbeams; Dust Motes Dancing in the Sunbeams (1900), Interior with Potted Plant on Card Table (1910-1911) Ida, facing away. The artists’ wife turned into the walls, turned onto herself, floating in the intimate foyers of the home she shared with her husband. The Danish winter painted into the walls, breathing […]

Romaine Brooks

Romaine Brooks From top to bottom: La Veste en Soie Verte (1907), Renata Borgatti au Piano (or) Musical Inspiration (ca. 1920), White Azaleas (1910), Maggie (1904) “Amazons in the Drawing Room presents Brooks’s work in relation to early twentieth-century European society, and contemporary ideas about personal identity, class, and sexuality. The exhibition comprises four main sections: Portraits; Self-Portraits; Images of Ida […]

Sonia Delaunay

Sonia Delaunay From top to bottom: Blanket (1911), Solar Prism (1914), Electric Prisms (1914), Rhythm (1945) “A world of color would be ideal, where one could create emotions accordingly. We could live by impressions the way a blind man lives by touch. We could vivify or seduce, transmute or emote, the possibilities are endless. A world of color so fine and […]

Adriaen Coorte

Adriaen Coorte From top to bottom: Three Peaches on a Stone Ledge (ca. 1705), Gooseberries on a Table (1701), Still Life with Asparagus (1697), Four Apricots on a Stone Ledge (ca 1698) “The very modesty of Coorte’s pictures has led them to be overlooked. His reputation has not been helped by the fact that no information has turned up about his career; […]

Auguste Rodin

Auguste Rodin From top to Bottom: Small Seated Female Torso (N.D.), Hand of Dumas (N.D.), Andromeda (before 1917), Hands Clasping (N.D.) “Born to a working-class family in Paris, and despite promising talent, Auguste Rodin (1840–1917) struggled hard to obtain the international fame he would enjoy by the 1890s. After repeatedly failing to gain admission to the prestigious Ecole des Beaux-Arts, he supported […]