Saturday, 29 September 2012
Work from her oeuvre.
“…Starting with images of idealised American landscapes – Yellowstone, Yosemite, Utah – Letha Wilson transforms and alters her photographs by various physical means. In some works careful cutting, folding and curling of the paper creates enigmatic but immersive environments. In other more extreme (and for us more interesting) work she treats the prints more brutally, crumpling and crunching them up and pouring concrete on them in rough lines and pools. When set solid the prints have a heavy, almost sculptural, physical presence to them, as if Letha had managed to transport a cross-section of a national park into a gallery space. It’s a really interesting approach because giving the prints this physicality invites the viewer to interact with and interpret the pieces in their own way, instead of simply being presented with a landscape to look at…: – Field of Vision