M’Shinda Imani Abdullah-Broaddus Work from Daddy Says. “Daddy Says is a body of work that discusses the challenging and isolated reality of being both queer and black. The work is a byproduct of my response to the traumatic experience of coming out to both my mother and father as homosexual -an experience that queer people […]

Carmen Winant Work from My Life as a Man. “My Life as a Man depicts a single collage deconstructing and rearranging its composition. Resolution is sought but never “found.” The book features original text contributions from Matthew Brannon, Moyra Davey, Courtney Fiske, Jim Fletcher, Kenneth Goldsmith, Jonathan Griffin, Geoffrey Hilsabeck, Michael Ned Holte, Sarah McMenimen, […]

Erik Bulatov From top to bottom: Not to be Leaned On (1987), People in a Landscape (1976), Two Landscapes on a Red Background (1972-74), Horizon (1971-72) “Eric Bulatov was born in Sverdlovsk in 1933 and was raised in Moscow. He began his studies at the Moscow School of Art and finished at the Surikov Institute in 1958. After working several years […]

Sonia Delaunay From top to bottom: Blanket (1911), Solar Prism (1914), Electric Prisms (1914), Rhythm (1945) “A world of color would be ideal, where one could create emotions accordingly. We could live by impressions the way a blind man lives by touch. We could vivify or seduce, transmute or emote, the possibilities are endless. A world of color so fine and […]

Aditya Pande Work from his oeuvre. “Most of Aditya Pande’s works can only be described as oxymorons: elegantly grotesque; digital primitivism; controlled spontaneity; intricately ordered anarchy. In his works, Pande balances his every movement with its opposite. The works combine the skills of drawing and printmaking with the surfaces of both photography and painting. Aditya […]

Brion Nuda Rosch Work from his oeuvre. “Deconstructing or rearranging the commonplace, making new, jarring the viewer out of an object or photograph’s sense of embedded context, Brion Nuda Rosch’s sculptural works and collages make us better aware of what is the immediacy in our environments. Often simplifying the analogical process we bring to a […]

Travess Smalley Work from “Capture Physical Presence“. “Throughout all of this formal experimentation, Smalley is referring to, borrowing from, and combining a broad range of influences. There are, on one hand, the various strategies plucked from art history, particularly 20th century modernism. Some of these allusions are stylistic: echoed throughout the book, for instance, are […]

Elena Damiani Work from La Historia Se Descompone En Imágenes, No En Historias @ Revolver. “The visual realm has seized new contexts, new materials, new techniques, has taken as its own the flexibility of time and the uncertainty of cognitive contexts. In this way, the conceptualization about the image is being drastically transformed. La Historia […]

Carol Bove Work from her oeuvre. “…The focus of her artistic endeavor is an immense research project: by means of enquiring into the social history and art of the late 1960s and early 1970s, she relates the latter to the present and lends it greater depth. Here, she is as much interested in popular literature […]

Erin Shirreff Work from her oeuvre. “…Erin Shirreff … among them—are addressing (or redressing) the issues attendant on becoming familiar with an artwork through its photo- graphic reproduction.6 Most of them have a studio-based practice that involves more than one medium—some are not even primarily photographers—but thinking about photography is central to what they do. […]