Ron Jude Work from 12HZ. “The title of this work references the limits of human perception—12 Hz is the lowest sound threshold of human hearing. It suggests imperceptible forces, from plate tectonics to the ocean tides, from cycles of growth and decay in the forest, to the incomprehensibility of geological spans of time. The photographs […]

Victoria Sambunaris Work from her oeuvre. “For over 25 years, Victoria Sambunaris has structured her life around a photographic journey traversing the American landscape. Equipped with a 5×7 inch field camera, film, a video camera and research material, she crosses the country alone by car for several months per year. Her large-scale photographs document the […]

Arthur Ou Work from A Day of Times. “When we think about the future of the world, we always have in mind its being at the place where it would be if it continued to move as we see it moving now. We do not realize that it moves not in a straight line, but […]

  Daniel Gustav Cramer Work from his oeuvre. “Daniel Gustav Cramer is known best for his sparse aesthetic in multiple mediums. An ambitious ongoing series, simply titled “Works” (begun 2009), is comprised of a variegated range of work including film, sculptures, installations, and photography. In many of these, he seeks out unspectacular scenes, but ones […]

Naoya Hatakeyama Work from BLAST. “Do not be afraid, yet do not make light of nature. Always keep the gods in mind with prayer… Imagine a huge piece of rock, like a mountain, that you wanted to take a part of home. How would you do it? If you had a hammer, like a geologist, […]

Bessma Khalaf Works from Torch Song. “Khalaf’s sublime, black and white, natural world landscapes offer up beauty and uncertainty. Using various processes of degradation (burning, smashing, consuming) the artist re-imagines the natural world, taking the viewer beyond the nihilism of destruction, into the generative possibilities that are offered by voids and absences. Troubling, and all […]

Awoiska van der Molen Work from her oeuvre. “If Nature were to take a photo of itself, what would it look like? Nature would set its own exposure time, with plenty of lux during the day in the sunshine, and clear and dark at night with a full moon. Exposure would need to be lengthy, […]

Thomas Albdorf Work from I Know I Will See What I Have Seen Before (Lodret Vandret). “Looking at Austria and how it is constructed and constituted within a common image space, the concept of mountains, of an alpine landscape that functions as surface for multiple projections is prevalent; be it within the classic 1960s Heimatfilm, […]

Tyler Los-Jones Work from We, ourselves included at Ditch Projects. “We, ourselves included is a meditation on landscape photography, representation and inherited assumptions about environments. These works began as typical tourist images taken while visiting Glaciers in-and-around Banff, Jasper, Yoho and Kootenay parks this past summer. The Peyto, Jumbo, Daly and Saskatchewan Glaciers are depicted […]

Dan Holdsworth Work from Mirrors FTP. “The mirror as a tool for the receptacle of representation has been utilised ever since the early progressions of the camera obscura and of course its traces are left within the very process of film-based photography, in regards to the imprint of light and time onto the negative and […]