Ingo Mittelstaedt Work from DORT at Kunsthalle Rostock. “The exhibition deals with a double interplay: on the one hand, Mittelstaedt shows his own works from previous years – interrelating these to each other. On the other hand, he curated works from the collection of the Kunsthalle creating a conduit between him and artists like Kate […]

Steve Bishop Work from “It’s Easier To Love Your Song Than It Is To Love You“. “I opened my mouth to speak, but a much better point was made. This was as much to my surprise as to everyone else’s. Initially stunned, agreement followed. The first few exclaimed “That’s it!” and then soon others “Yes, […]

Johan Rosenmunthe Work from Enlargements. “Johan Rosenmunthe’s installation utilizes an image taken from the Empire State Building down on the roofs of Manhattan and shows printed crops and zooms into that single image. Part of the exhibited images are posters pasted directly to the wall, others are ‘framed installations’ of images. The master image is […]

Michael Krebber Work from his oeuvre. “‘Real art has the capacity to make us nervous’, writes Susan Sontag in her essay ‘Against Interpretation’ (1966), and this is exactly what one can expect when encountering Michael Krebber’s work. In his exhibition ‘London Condom’ at Maureen Paley 21 canvases of equal size depict extracts from Krebber’s recent […]

  Aaron Garber-Maikovska Work from “Being One and Then Sum“. ““Chopin’s small forms (nocturne, impromptu, waltz, mazurka, scherzo, ballade, prelude) are rooms, single-occupancy, open to hauntings. Chopin assists my quest to imagine a vocation of pleasure, and to find value in the tiny, the out-of-date, and the wrong.” – Wayne Kostenbaum: Hotel Theory, Brooklyn, 2007 “Words […]

George Henry Longly Work from “Hair Care” at Jonathan Viner, London. “Whoever thought that Samson’s power would be in his hair? Not Delilah, or anyone else for that matter. A magnificent Biblical warrior, with superhuman powers, Samson tore a lion limb from limb with his bare hands with the help of his magical hair, but […]

Simon Denny Work from “Disruptive Berlin”. “The title “Disruptive Berlin” uses a term that is commonly applied in this context to game-changing businesses. A great startup will always aim to “disrupt” an existing industry. An obvious example of this is how Apple “disrupted” the mobile phone industry with the iPhone in 2007. That product completely […]

Greatest Hits Work from Idle Resources at Tristian Koenig. “Tristian Koenig is delighted to present Idle Resources, Greatest Hits first solo exhibition with the gallery and the first exhibition of the 2014 season. Idle Resources engages with the fallout of the attention economy. It reflects on the extremes of cognitive connection and disconnection, focus and […]

Ute Müller Work from her oeuvre. “…This body of works – paintings, architectural structures, sculptural references – defines a space where the viewer is immediately captured by the beauty of a painting that has its origins in the history of twentieth century abstraction. Yet this is only a transitory emphasis, an instant of burning passion […]

Helen Marten Work from her oeuvre. “Marten treats physical stuff the digital way: she drags and drops, compresses and unpacks, crashes and reboots. She’s obviously not the only one doing this, but she does it in a way that is as comfortable with sculpture as hammering or welding (although she actually does occasionally hammer and […]