Milton Avery From top to bottom: Interlude (1960), Black Sea (1959), White Sea (1947), Offshore Island (1958) “Milton Avery’s landscapes, still lifes, and figure compositions derive their expressive power from their abstracted, flat shapes and luminous yet subtle color. His subjects seem unremarkable, but the manner in which he treats them is exceptional, for through his strong, simple designs, his intimate scenes […]