THE FACULTY OF SENSING – Thinking With, Through, and by Anton Wilhelm Amo at Kunstverein Braunschweig. “With THE FACULTY OF SENSING – Thinking With, Through, and by Anton Wilhelm Amo, Kunstverein Braunschweig has worked in close cooperation with Bonaventure Soh Bejeng Ndikung to develop a project in honor of Anton Wilhelm Amo, an outstanding philosopher […]
Archives for posts tagged ‘philosophy’
THE FACULTY OF SENSING – Thinking With, Through, and by Anton Wilhelm Amo
Thursday, 10 September 2020
Karl Larsson
Monday, 7 October 2013
Karl Larsson Work from “Twelve Hours” at Galerie Kamm, Berlin “When Foucault enters the amphitheater, brisk and dynamic like someone who plunges into the water, he steps over bodies to reach his chair, pushes away the cassette recorders so he can put down his papers, removes his jacket, lights a lamp and sets off at […]
João Maria Gusmão and Pedro Paiva
Tuesday, 11 June 2013
João Maria Gusmão and Pedro Paiva Work from their oeuvre. “Since 2001, João Maria Gusmão and Pedro Paiva have collaborated on the creation of enigmatic, lyrical photographs and sculptures, but most prominently they work in 16mm silent film. Through their investigations into the limits of scientific rationalism, they unfold what they have called ‘poetic philosophical fiction,’ […]
Sreshta Rit Premnath
Friday, 11 November 2011
Sreshta Rit Premnath Work from Storeys End. “Storeys End seems a culmination of Sreshta Rit Premnath’s engagement with the Viennese philosopher, Ludwig Wittgenstein, who undoubtedly acts as a kind of muse for the artist. Like Wittgenstein, Premnath relishes philosophical, linguistic, and cultural aporia. In Storeys End, named after the address where Wittgenstein composed his posthumous […]
Annie Dorsen
Sunday, 30 January 2011
Annie Dorsen Work from Hello Hi There. “Hello Hi There is a performance without people – a literal expression of post-humanism, and simultaneously an examination of what it means to be human. The piece goes inside the question of human nature and intelligence, both the organic and the artificial.” – PS122