Milton Avery From top to bottom: Interlude (1960), Black Sea (1959), White Sea (1947), Offshore Island (1958) “Milton Avery’s landscapes, still lifes, and figure compositions derive their expressive power from their abstracted, flat shapes and luminous yet subtle color. His subjects seem unremarkable, but the manner in which he treats them is exceptional, for through his strong, simple designs, his intimate scenes […]

Andrew Wyeth From top to bottom: Christina’s World (1948), Snow Flurries (1953), Brown Swiss (1957), Her Room (1963) “Wyeth gave America a prim and flinty view of Puritan rectitude, starchily sentimental, through parched gray and brown pictures of spooky frame houses, desiccated fields, deserted beaches, circling buzzards and craggy-faced New Englanders. A virtual Rorschach test for American culture during the better part of the […]

Vilhelm Hammershøi From top to bottom: Interior (1899), Interior (ca. 1903-1904), Sunbeams; Dust Motes Dancing in the Sunbeams (1900), Interior with Potted Plant on Card Table (1910-1911) Ida, facing away. The artists’ wife turned into the walls, turned onto herself, floating in the intimate foyers of the home she shared with her husband. The Danish winter painted into the walls, breathing […]

Romaine Brooks From top to bottom: La Veste en Soie Verte (1907), Renata Borgatti au Piano (or) Musical Inspiration (ca. 1920), White Azaleas (1910), Maggie (1904) “Amazons in the Drawing Room presents Brooks’s work in relation to early twentieth-century European society, and contemporary ideas about personal identity, class, and sexuality. The exhibition comprises four main sections: Portraits; Self-Portraits; Images of Ida […]

Sonia Delaunay From top to bottom: Blanket (1911), Solar Prism (1914), Electric Prisms (1914), Rhythm (1945) “A world of color would be ideal, where one could create emotions accordingly. We could live by impressions the way a blind man lives by touch. We could vivify or seduce, transmute or emote, the possibilities are endless. A world of color so fine and […]

Adriaen Coorte From top to bottom: Three Peaches on a Stone Ledge (ca. 1705), Gooseberries on a Table (1701), Still Life with Asparagus (1697), Four Apricots on a Stone Ledge (ca 1698) “The very modesty of Coorte’s pictures has led them to be overlooked. His reputation has not been helped by the fact that no information has turned up about his career; […]

Auguste Rodin From top to Bottom: Small Seated Female Torso (N.D.), Hand of Dumas (N.D.), Andromeda (before 1917), Hands Clasping (N.D.) “Born to a working-class family in Paris, and despite promising talent, Auguste Rodin (1840–1917) struggled hard to obtain the international fame he would enjoy by the 1890s. After repeatedly failing to gain admission to the prestigious Ecole des Beaux-Arts, he supported […]

Chile Hassam From top to bottom: The West Wind, The Isle of Sholas (1904), Ravine near Branchville (c. 1910-1919), At Sunset (1900), Peach Blossoms-Villiers-le-Bel (c. 1887-89) “Childe Hassam (1859–1935), a pioneer of American Impressionism and perhaps its most devoted, prolific, and successful practitioner, was born in Dorchester, Massachusetts (now part of Boston), into a family descended from settlers of the Massachusetts Bay […]

Carmelo Arden Quin From Top: Murcurial (1945), Coplanal (1945), Négal (1946), Composition (1945-6) “Carmelo Arden Quin was born in 1913 in Rivera Uruguay, a town on the Brazilian border. He had an uncle who painted cubist paintings, and in 1934 in Rivera Arden Quin created his first surviving painting, “Naturel Morte Cubiste” or “Cubist Still Life.” In Montevideo twenty-one year […]

Barbara Hepworth From top to bottom: Three Forms (1935), Ball Plane and Hole (1936), Figure in a Landscape (1951-51), Curved Form (Trevalgan) (1956) “I have always been interested in oval or ovoid shapes. The first carvings were simple realistic oval forms of the human head or of a bird. Gradually my interest grew in more abstract values – the weight, poise, and […]