Miles Collyer Work from Track Top Masks and For Lauren. There was not enough space to post his other bodies of work as well, but you should go to his website to see the wide range of solid work. ____________________ “For Lauren is a mail-art edition that was sent to 50 individuals in February, 2006. […]

Alex Prager Work from The Big Valley.  There is a peculiar Cindy Sherman meets Alfred Hitchcock quality that brought me to explore this work further, and I am not surprised at all to find that I am not the only one to have thought along those lines. Collection of reviews here. “Prager photographs her female […]

Marjaana Kella Work from Reversed. “When something is not there, possibilities open.The tête-à-tête is an intimate meeting. It may be a way for us to meet our beloved or look at a picture that speaks to us. We are face to face or eye to eye with the person or the picture, rather than opposite […]

Mona Kuhn Work from the series Evidence. I wanted to post some more out of focus work, as I am struggling with the cohesiveness of content with my own blurry work. I couldn’t find a statement for this work, so here is the inside book jacket statement of sorts. Poss should be fairly regular again […]

Ariel Rubin Work from the series Decomposition and Box of Fools (statements and work in their respective order). Statement for Decomposition: “We have a tendency to think of ourselves as separate from nature. We assumethat anything found in the natural world is unrefined, pure and uncontrolled. We make similar assumptions about photographs as a portrayalof […]

Lindsay Page Works from the series Spawn (still in progress). Titles (in order), Werewolf 1, Werewolf 2, and Unitled. I also recommend the Basement Performances Series. “This body of work examines motherhood as an event steeped simultaneously in the intensity of anxiety and exhilaration, momentous gain and the spectre of loss. It is both a […]

Jefferey A. Wolin Work from the series From All Sides: American and Vietnamese War Veterans. “I initially began photographing and conducting videotape interviews of Vietnam War veterans in 1992 during my year as a Guggenheim Fellow. I had to set the project aside to complete a book and exhibition of portraits of Holocaust survivors which […]

Barbara Hilski Work from the series Tarnung (translation from German: Camouflage). Hilski was in Thomas Ruff’s class at the Kunstacademie Düsseldorf, whose web page is worth exploring. Hilski also has some other work here.

Nora Herting Work from Free Sitting and new work from Portraits. Herting makes work in which “the currency of the studio portrait is examined.” They are a conceptual departure and a critical examination of the studio portrait. “My photographs maybe characterized as portraits, although I am not interested in capturing the uniqueness of an individual. […]

Angelika Rinnhofer Work from Menschenkunde and Falsenfest. I highly reccommend that you read the statement as well as check out the newer Varsity work.