Zak Kitnick Work from his exhibition at Clifton Benevento, New York “Once he started using store-bought industrial shelving to create highly ordered Neo-Minimalist sculptures, Zak Kitnick came into his own as an artist. In his latest show, he takes these materials and his compulsion to organize to ingenious new levels, by basing his works on […]
Archives for posts tagged ‘structure’
Good Luck & Safe Journey
Wednesday, 15 May 2013
Sam Falls, Federico Maddalozzo, Julia Rommel Work from “Good Luck & Safe Journey” at T293, Naples. “The exhibition examines the procedures and repeated gestures used to structure works in a certain way and open them up to random luck and chance, be it natural or employed. In their final forms, the works by Sam Falls, […]
Magali Reus
Sunday, 12 May 2013
Magali Reus Work from her oeuvre. “Through the way the works are presented, by the appropriation of objects, and thanks to the use of colour, two identifiable thematic series thus gradually come to the fore: on the one hand, sporting imagery, with training sessions and gym equipment (rings, wall-bars and wallbrackets, and various training mats), and, on the other, the […]
Channa Horwitz
Tuesday, 7 May 2013
Channa Horwitz Work from her oeuvre. “What Would Happen If I” is the third exhibition presented at Aanant & Zoo Gallery, Berlin, by American conceptual artist, Channa Horwitz (born in 1932, lives in Los Angeles). In 2007, she had an exhibition under the title “Searching/Structures 1965–2007” based on a search that she engaged with in […]
Jacob Dahlgren
Wednesday, 16 January 2013
Jacob Dahlgren Work from Palermo1966 (other works also included). “Palermo1996 explores the allure of the supermarket and removes items directly from the shelves in order to create this contemporary geometric abstraction. As a result of the construction elements, metal and magnets, this work also functions very much as a performance piece, through the building of […]
Agnes Martin
Friday, 7 December 2012
Agnes Martin Work from her oeuvre. “…Grid, in this context, is a convenient but misleading descriptive. It identifies a superficial relationship of Martin’s work to an abstract concept of two-dimensional space, when in fact her painting tends to suggest an extension of our concept of three-dimensional space. The breathing that I describe in these prints […]