Ariel Rubin Work from the series Decomposition and Box of Fools (statements and work in their respective order). Statement for Decomposition: “We have a tendency to think of ourselves as separate from nature. We assumethat anything found in the natural world is unrefined, pure and uncontrolled. We make similar assumptions about photographs as a portrayalof […]

Lindsay Page Works from the series Spawn (still in progress). Titles (in order), Werewolf 1, Werewolf 2, and Unitled. I also recommend the Basement Performances Series. “This body of work examines motherhood as an event steeped simultaneously in the intensity of anxiety and exhilaration, momentous gain and the spectre of loss. It is both a […]

Jefferey A. Wolin Work from the series From All Sides: American and Vietnamese War Veterans. “I initially began photographing and conducting videotape interviews of Vietnam War veterans in 1992 during my year as a Guggenheim Fellow. I had to set the project aside to complete a book and exhibition of portraits of Holocaust survivors which […]

Barbara Hilski Work from the series Tarnung (translation from German: Camouflage). Hilski was in Thomas Ruff’s class at the Kunstacademie Düsseldorf, whose web page is worth exploring. Hilski also has some other work here.

Nora Herting Work from Free Sitting and new work from Portraits. Herting makes work in which “the currency of the studio portrait is examined.” They are a conceptual departure and a critical examination of the studio portrait. “My photographs maybe characterized as portraits, although I am not interested in capturing the uniqueness of an individual. […]

Angelika Rinnhofer Work from Menschenkunde and Falsenfest. I highly reccommend that you read the statement as well as check out the newer Varsity work.

William Lamson Work from Me in America. The entire site is well worth looking at, particularly Intervention, and Hunt and Gather. Lamson also has some great video work.

Millee Tibbs Work from Self Portraits, and This is a Picture of Me. More work here as well.