Cerith Wyn Evans
Saturday, 7 September 2013
Work from his oeuvre.
“Although Wyn Evans moved to sculpture and installation in the early 1990s, the influence of film remained strong on his work.[3] Most of the artist’s work stems from his strong interest in language and communication, often using found or remembered texts from film, philosophy or literature combined with a clean aesthetic.[4] Writing in Frieze, in 1999, Jennifer Higgie said: “Wyn Evans’ use of repetition and elliptical meaning indicates endless possible readings his choice of a quote replete with both classical and personal implications placed at the junction of earth and sea nods to Platonic ideas about renewal, while the decaying beach reflects a more negative image of repetition as a kind of dead end, a form of stasis.”[5]” – Wikipedia