Ole Martin Lund Bø Work from With Day for Night. “…The title refers to a cinematographic technique used to simulate a night scene, while shooting at day time. Tinted glass, metallic foil, dark wooden boards, a furry tennis ball. Familiar features from storefronts, lowriders, executive offices and clay courts. These works are extractions, rather than […]
Archives for posts tagged ‘norwegian’
Daniel Rybakken and Andreas Engesvik
Thursday, 15 March 2012
Daniel Rybakken and Andreas Engesvik Work from Colour. “Using sheets of coloured glass placed freely in front of a light source, Colour invites the user to mix various hues. I was also intrigued here by the exploded concept of a lamp, formed not only of multiple components, but by multiple objects too.” – Daniel Rybakken via Zero […]
Ann Cathrin November Høibo
Saturday, 4 February 2012
Ann Cathrin November Høibo Work from her oeuvre . “Ann Cathrin November Høibo uses the gallery room as her studio, where she assembles half finished works with new whims and acquisitions. The site specific installations consist predominantly of threads and textiles in various conditions, weaved, draped, laddered, bundled and seducing. Høibo’s works are informed by feminist […]
Liz Wendelbo
Monday, 8 November 2010
Liz Wendelbo Work from (primarily) Optiks. “Her filmmaking predicates resistance to cinema as a virtual medium – this resistance in film is what she refers to as Cold Cinema. It is a sentiment and a philosophy which places the artist in a position of resistance, akin to a soldier in a bunker, or Plato’s imaginary […]