Allora & Calzadilla Work from Back Fire. “The ‘Back Fire’ series are colour photographs of constellations, stars and galaxies, which have been set fire to from the back with matches. This action has generated a new space both physically and photographically. The burning of the photograph fires-back an unstable image, which has been re-photographed at […]

Miriam Böhm Work from her oeuvre. “In her photographs, Böhm enquirers into the very nature of the art object; how it is made, perceived, and how way we derive meaning from it. She uses the act of photography as a series of iterations, taking many photographs of one object or motif, from different perspectives, and […]

Brian Khek Work from his oeuvre. “Interpreting our relationship with information as a visual spectrum of didactic signifiers, the images in my work subjugate and expand physical experiences simultaneously. The fixed image inherently rephrases an experience. Documentation of this work is not interchangeable with the original object. It instead behaves as a different language through […]

Thomas Bayrle Work from his oeuvre. “There is an obsessive and darkly visionary quality about much of Bayrle’s work but, crucially, there is also plenty of wry humour and pleasure in the absurd and the idiotic. Contrary to the visually pluralistic tendencies of other artists with mixed allegiances to Pop and Conceptual art as well […]

Hugh Scott-Douglas Work from Moire Paintings. “Scott-Douglas makes work that refers to production itself, to its consumption and to its container, using visual cues gleaned from minimalism and op art. The central dialectic of the work springs from the tension between the need for a rigid authority figure, on the one hand, and the very […]

Pekka Nittyvirta Work from Corrupted (and one from Trinity). “I’m interested in the idea of visual “noise” or disruption in your images and was wondering if you could talk a little bit about the role that this noise plays when making an image. I think that it is important to shed first some light over […]

Eric White Work from Morphology. “…new way of looking at landscape. That new way involves looking at photographs of landscapes that do not necessarily read to the eye as photographs. Stripped of any indication that we are viewing traditional color or black-and-white photographic images, we are instead left to read visual elements whose variables might […]

David O’Reilly Work from his oeuvre. “When Jackson Pollock decided that day to drip paint all over a giant canvas, he let the medium speak for itself. David OReilly provides a similar outlet to the natural voice of the digital image through hastily rendered polygons, compressions artifacts, and trace elements of the interface. He uses […]

Marina Gadonneix Work from Removed Landscapes. “It does not seem very daring to describe Marina Gadonneix’s pictures as being depopulated. The emptiness of the places she presents, one after another, demonstrates – if not a preliminary rule characterizing the whole series, a constant which is merely foiled by rare, always ethereal apparitions. Here, a mannequin […]

Benjamin Phelan Work from his oeuvre. “I am easily blinded by the optimism embedded in a new process, as it first appears to be the universal solution. The euphoria quickly dissipates though, as it becomes clear that each new process also a regulating device. I believe that the techniques that promise utopian solutions, through totally […]