Mary K Goodwin Work from Auto Obscura. “Auto Obscura describes the mixing of the exterior and interior that occurs behind the wheel of a car. It’s a phenomenon that is solitary, isolated, and artificial, and yet also oddly real and beautiful. In Auto Obscura, I turn my 1995 Ford Contour into a camera obscura and […]

Alison Carey Work from Organic Remains of a Former World. “Organic Remains of a Former World are contemporary ambrotypes inspired by the invisible past of the Paleozoic era. The images draw from data and illustrations of scientific research, and are shot using clay models submerged in 55-gallon aquariums. Carey photographs her vision of this ancient […]

Stephen Berkman “Through his glass plate ambrotypes and installations, it appears that photographer Stephen Berkman has traveled back in time to the 19th century. A clever illusionist, Berkman uses the wet collodian process, popular from the 1850s to the 1880s to stage images, which while rooted in the past, also refer to the conceits of […]

Jeff Wall “There have been times (and particular pictures) in the past when it seemed that Jeff Wall was determined to take the technical image from classicism to mannerism in one digital swoop. But in his recent works, the style (or stylelessness) of the pictures definitely acts as a vehicle for meaning. Even though the […]

Amy Stein Work from Domesticated. As with many of my weekend posts, you probably do (or should) know of Stein’s work. “My photographs serve as modern dioramas of our new natural history. Within these scenes I explore our paradoxical relationship with the “wild” and how our conflicting impulses continue to evolve and alter the behavior […]

Sarah Pickering Work from Explosions. In honor of the 4th of July, because no artists that I know of shoot fireworks. “Explosions,” Sarah Pickering’s debut solo show, is both as understated and as boisterous as its title implies. The British artist’s eight large-scale photographs capture the pyrotechnics of various types of bombs and explosives, suspending […]

Precise Equilibrium, 2008. Fire, 2008. A balloon in a room, 2008. My breath in a car #1, 2008. Adam Ekberg “Using large and medium format cameras as well as video to document performances, constructions, and lens-based phenomena; my images function as traces of a presence. The photographed interventions range from very simple gestures to elaborate […]