Haris Epaminoda Work from his oeuvre. “…deceptively intimate works of Epaminonda: collages, escoriating and beautiful. They collectively form a kind of liminal space through the imagery of a past – the mid 20th Century – yet they don’t address a period in time, perhaps so that it might be the past, again. They are composed […]

Emilie Halpern Work from her oeuvre. Artist’s talk at Otis College here. “Emilie Halpern trades on dissonance and contradiction. Working in a mix of mediums, from sculpture to photography, conceptualism to found object installation, she looks for ideas and images that play against each other in surprising ways. Through juxtapositions and combinations of these ideas, […]

Marlo Pascual Work from her oeuvre. “I’m creating a relationship between the artwork, the art space, and the viewer by employing visual and audible devices. In recent sculptures I’ve juxtaposed found photographs and objects with various light sources to create a mise-en-scene for them to play out in. The unknown actors and actress in the […]

Daniel Gordon Work from Portrait Studio. “Brad Phillips – Hi Danny. Daniel? You just opened a show at Groeflin Maag Galerie in Zurich. I know you usually take a while to work on a single body of work – so what’s this body of work about? Daniel Gordon – Hey Brad. Yeah Danny is okay. […]

Jason Lazarus Work from his oeuvre. “Regarding all photographic projects cumulatively, I am interested in the role of the contemporary artist as hell-raiser, prophet, failure, and historian. Whether it is the possibilities of the conceptual self-portrait, the awed irony of an American attending an airshow in 2006, or a picture of a picture, the photographic […]

Phil Chang Work from Double Exposure. “In her 1977 essay “Notes on the Index,” Rosalind Krauss defined contemporary art as indexical. The work that fascinated Krauss was that which indicated an elsewhere, that is, work that was proof or evidence of what was not apparent in the work itself (such as documentation of earthworks or […]