Joe McKay Work from his oeuvre. “… Operating at the edges of what we think this consumer technology should and should not do, McKay’s art leads us into the gap between expectation and evidence, challenging the viewer to consider what one sees and how the technology works. But unlike the Wizard of Oz behind his […]

Jennilee Marigomen Work from Absent and From the See. “Jennilee’s Marigomen’s work investigates everyday urban phenomenon. The tension between the natural world and urban intervention permeate her images with a playful undertone. Her visceral and sedative environments highlight the fleeting extraordinary.” – Jennilee Marigomen

  Stephanie Davidson Work from Collage and Gifs. “Stephanie Davidson’s works are, for lack of a better word, super bratty. Like she totally knows it, too. It’s loaded with post-modern irony lost in the throes of youthful know-it-allness. (My Swedish friend calls them: Besser-Vissers. Better knowers? I always liked this invented word.) It’s kinda like […]

Jean Klimak Work from Chew by Numbers. “I make artworks that have contradictions in them, artworks that lie somewhere between the sublime and ambivalence. Through these processes, I focus on materials that are dissimilar in nature or exhibited in curious ways. By working in this manner, tensions are created between the materials I choose or […]

   Leslie Grant Work from Pointing. Pointing is a collection of fantastic and enjoyable appropriations and recontextualizations of images found at flea markets and yard sales, and most likely various and sundry other places. Enjoy. – via The Exposure Project.

Collin Zipp Work from his video and collage series. Below is a IM / email interview I conducted with Zipp. The collages above are not originally diptychs, I have paired them for formatting reasons. “Raw video footage is degraded using physical forces. The resultant images are then digitally captured and edited.” – Collin Zipp JT: […]

Jessica Eaton Work from her oeuvre. “Eaton’s exhibit is a display of virtuosity, each piece a microcosm of what could become the basis for a larger show. Every print in the Emily Carr Institute graduate’s show represents a technical practice she has been refining for a year or more, as she related at the opening. […]

Janet Cardiff and George Bures Miller Works from the The Murder of Crows. “You part two layers of thick red curtains to enter the atrium of Hamburger Bahnhof, where chairs, speakers, and a single table with a gramophone perched on it – all arranged in a circle – form The Murder of Crows, the new installation […]

Maryanne Casasanta Work from suffices to decide if the necessary mood is there. “Maryanne Casasanta’s work offers questions to unanswered histories and contemplates the elusive exchange between art and commonplace. These documents observe the space and pattern that ornaments the land, while paraphrasing a desire to be grounded.” – Maryanne Casasanta

Sally McKay Work from Animated GIFs. Excerpt from The Affect of Animated GIFs (Tom Moody, Petra Cortright, Lorna Mills) “Since the early days of internet art, online artists have participated in challenging the museum and gallery hierarchies of off-line art systems.[9] The vast majority of GIFs (as well as YouTube videos, Flash animations, RealAudio sound […]