Jon Rafman Work from Google Street Views. “Two years ago, Google sent out an army of hybrid electric automobiles, each one bearing nine cameras on a single pole. Armed with a GPS and three laser range scanners, this fleet of cars began an endless quest to photograph every highway and byway in the free world. […]
Archives for the ‘appropriation’ Category
Abe Linkoln, et al.
Tuesday, 22 September 2009
Abe Linkoln Work from Screenfull, Universal Acid and Disco-nnect. “A trippy pixelated skull and a playlist of warped samples greet visitors to Screenfull.net, the collaborative blog by artists Abe Linkoln (USA) and jimpunk (France). If you like noise bands, dial-up (their browser-slowing tricks tend to frustrate navigation), or the endurance tropes of experimental work, you’ll […]
Jon Feinstein
Friday, 18 September 2009
Jon Feinstein Work form Pure Aesthetics and From Russia with Love. “Pure Aesthetics rejects the tendency to find meaning and substance from superficial visual experience. Building on Clement Greenberg’s ideas about abstract expressionism and the need for a tactile and purely visual perception of artwork, the images have little concept beyond their physical properties. Shiny, […]
Curtis Mann
Tuesday, 1 September 2009
Curtis Mann Work from Modifications. “The original imagery in Curtis Mann’s Modifications series is copied from a variety of sources: online auctions, photo-sharing websites and estate sales, in a sense creating a fictional archive through the artist’s selection and collection of other people’s photographs. Mann’s appropriated archive is acquired in digital form. He first makes […]
Richard Prince
Sunday, 30 August 2009
Richard Prince Work From Untitled (Publicities). “Richard Prince has heard America singing, and it is not in tune. The paradoxically beautiful, seamless 30-year survey of his work at the Guggenheim Museum catches many of our inharmonious country’s discontents and refracts them back to us. The central message of this array of about 160 photographs, drawings, […]
Mickey Smith
Tuesday, 4 August 2009
Mickey Smith Work from Collocations and Belive You Me. _______________________________ Volume documents bound periodicals and journals in public libraries. Most of these publications are being replaced by their online counterparts. Several titles photographed in the process of this project have been destroyed. Searching endless rows of utilitarian text, I am struck by the physical mass […]
Darryl Lauster
Monday, 22 June 2009
Darryl Lauster Works from his oeuvre, which can be seen at Devin Borden Hiram Butler Gallery and Barry Whistler Gallery. Title List (in Order): 1. Exercise Desert Rock, D-Day blast at Yucca Flats, 1951, photograph by Cpl. McCaughey, from the National Archives Records of the Office of Chief Signal Officer 2. A Young Civil […]
Krista Wortendyke
Friday, 29 May 2009
Krista Wortendyke Work from (Re:) Media. This is fascinating work about appropriation, photo history, media consumption, etc. It runs the gamut of critical analysis / critique about photography. I strongly recommend you look at Histortical Intervention as well. “Although most of us have never experienced war, we are surrounded by its imagery. This project […]
Veronika Spierenburg
Wednesday, 27 May 2009
Veronika Spierenburg Work from Newspaper no. 5 and Newspaper no. 4. “Veronika Spierenburg’s Newspapers series no. 4 + 5 are a playful dissection of spectacle as it exists in sports photography, not in an overly analytic way but as one disassembles a machine out of curiosity – to inspect and marvel at its parts. Spierenburg […]
Yogi Proctor
Saturday, 23 May 2009
Yogi Proctor Work from Twenty Eight Portraits. “Twenty Eight Portraits engages the materiality of a set of public-domain press photographs to intentionally expose the gamut of everyday photographic functionality. Twenty Eight Portraits uses individual photographs of the entire presidential cabinet, which have been ripped roughly in half. The rip both figuratively and literally removes the […]