Laurie Kang Work from her oeuvre. “My practice is based in film photography, collage, sculpture and installation. I employ the photographic image’s ability to capture an image and present it as an apparently true document in time and history. Using both created and found images and objects, I merge fact with fiction, distorting and challenging […]
Archives for posts tagged ‘meta-photography’
Zach Nader
Monday, 30 May 2011
Zach Nader Work from Counterweight. “I investigate presentation and representation of self, others and viewpoint. My questions include: Where and how is experience constructed? What are the possibilities of history, truth and fiction in photographic images? Can the point in which meaning adheres to representations be shifted? And what is their role in constructing personal […]
Laura Plageman
Sunday, 22 May 2011
Laura Plageman Work from Response. “In this series I am responding to photographs both as representations and tangible objects. Through physically altering enlarged prints and then re-photographing the results, I create works that oscillate between image and object, photography and sculpture, landscape and still life. While they may appear illusory, the resulting pictures are documents […]
Lauren Pascarella
Friday, 13 May 2011
Lauren Pascarella Work from her oeuvre. “My work involves demonstrating, in both image and process, the intangible connection between signifier and the signified. By photographic fragments of imagery that is site-specific to the viewer (a book, a chair, a light, a building), I am compelling the viewer to consider only what is in front of himlher visually. Through […]
Charlott Markus
Saturday, 30 April 2011
Charlott Markus Work from Pygmalion. “Charlott Markus constructs still life arrangements that manifest as site-specificinstallations or photography. Her work explores an intermediate stage, they are betweenfamiliar and unfamiliar. Thus she uses leaving spaces and materials are affected and have no further function. In precise composition given objects and places with a history of their role in a new reality. Markus’ sense of the picturesque, the tactile and sculpturalimages in her compositions gives a poetic and timeless power.” – ACF translated by google.
Kate Steciw
Monday, 25 April 2011
Kate Steciw Work from her oeuvre (and The Strangeness of This Idea) buy the book here. “I am interested in making a photograph other – juxtaposing or superimposing the mundane or expected with the altered or intangible – allowing (or even forcing) a photograph to move beyond the 2D and exist in 3D and even 4D […]
Anthony Lepore
Friday, 22 April 2011
Anthony Lepore Work from New Wilderness. “Anthony Lepore’s New Wilderness is a series of photographs that lay bare nature as an historical construct governed by human invention and intervention. Although these images often suggest collage or post-production alterations, they are produced with a 4 x 5 camera in visitor centers and on the edges of […]
Michael Sherwin
Saturday, 12 February 2011
Michael Sherwin Work from Flux and Form Series “In this series of large format inkjet prints, I set the camera to automatically take pictures each minute as I walk along familiar paths. Then, the collection of photographs is brought into Photoshop, where I create a large canvas and randomly drop each image into the larger […]
Valerie Green
Monday, 17 January 2011
Valerie Green Work from her oeuvre. “Recently, rather than taking photographs you deal with the materiality of photography, whether it’s the symbols on rolls of film or material (Sintra) on which photos are commonly mounted. Can you talk a bit about your relationship to photography and exploring the non-image side of it? You seem to […]
Iman Issa
Saturday, 25 December 2010
Iman Issa Work from Triptychs (and others). “Issa’s Triptych series (#1, #2, #3, #4, #5, #6) from 2009, is a group of six beautiful wall installations comprised of photography, video objects and texts. They are images of places she collected in New York and restaged; settings that occurred through a personal psychological process in order to reveal personal associations. […]