Teo Ormond-Skeaping Work from In the Fulcrum of Our Dreams. “In Ormond-Skeaping’s multi-layered canvas the more bewildering aspects of dreamscape are invoked: sensations of symbolic import paired with faces that may have no relevance in daily life but in dream logic summon up powerful archetypal associations, creating wave of skin-prickling wave of weird emotional resonance. […]
Archives for the ‘british’ Category
Sarah Pickering
Sunday, 6 June 2010
Sarah Pickering Work from Explosion. “…Finally, Pickering’s Explosion photographs (2004–present) are shot at sites where fake bombs are deployed for military personnel interested in buying pyrotechnics. Manufactured by some of the same companies that make explosives for action/adventure and war films, the bombs are built for use in military training exercises. Pickering captures the explosions […]
Nicky Walsh
Wednesday, 26 May 2010
Nicky Walsh Work from her oeuvre. “The notion of the generic, the all encompassing surface of something that seeks to include everyone and simultaneously refers to no one. This work became about objects that manifest the idea of the corporate environment and mass production. By stripping away all evidence of history, culture, identity, location, time […]
Tim Steer
Saturday, 6 March 2010
Tim Steer Work from his oeuvre. “How do we account for the affect of materiality in a particular work? One way to think about it is as a process. This is not an original point. In “The Time of Digital Poetry: From Object to Event”, Katherine Hayles develops a more sophisticated description of materiality than […]
John Stezaker
Saturday, 30 January 2010
John Stezaker Work from his oeuvre. “John Stezaker’s work re-examines the various relationships to the photographic image: as documentation of truth, purveyor of memory, and symbol of modern culture. In his collages, Stezaker appropriates images found in books, magazines, and postcards and uses them as ‘readymades’. Through his elegant juxtapositions, Stezaker adopts the content and […]
Clare Strand
Thursday, 26 November 2009
Clare Strand Work from Conjurations and Gone Astray. “Over the last ten years, dissatisfied with the often complacent values of the photography world, Clare Strand has assembled a body of work that is both subversive and celebratory in its approach to photographic conventions. During this period Strand’s art has developed through a series of increasingly […]
Michael Dean
Tuesday, 24 November 2009
Michael Dean Work from his enigmatic and difficult to navigate website. “Michael Dean starts from short texts written in original print formats to give rise to an almost physical linguistic space that is meant to urge the audience not only to read, but to take part — both visually and spatially — the meaning of […]
Abigail Reynolds
Tuesday, 17 November 2009
Abigail Reynolds Works from Universal Now and Mount Fear. “The Universal Now, is a series of collages that uses imagery sourced from publications such as guide books and atlases, combining photographs of landscapes or monuments, enmeshing them together. In the process of splicing and joining the images, cuts are made into the printed surface and […]
Sam Taylor-Wood
Friday, 23 October 2009
Sam Taylor Wood Stills from Still Life. “Still Life is one of the most classical works of contemporary art I know. It inscribes itself in art history with hardly any commentary. This is not just a Still Life. It is a vanitas, a particular type of still life developed in the 16th and 17th centuries […]
Kate MccGwire
Monday, 19 October 2009
Kate MccGwire Work from her oeuvre. “Kate MccGwire’s work asks questions about the very nature of beauty. She’s intrigued by the possibility of envisaging beauty as something more complex than merely what delights the senses: beauty can be about a problem; it can be something that repels you or makes you question the status quo. […]