Liudvikas Buklys Work from his oeuvre. “Let us say we have chosen to speak nothing but the truth. Immediately, there is a Freudian problem: should we just speak the truth as it is, or should we first take into account the circumstances and the audience to which we are speaking? There is a great difference. […]

Laura Brothers Work from her website / pseudonym Out_4_Pizza. Laura Brothers, in a sense, doesn’t exist. Her net identity is abstract, aloof, and remarkably uninformative to the “casual” net-art public. This mystery is a great part of the appeal of her work, in her pseudo-anonymity, she plays the role of cultural curator or vernacular archivist […]

Mark Lyon Work from Landscapes for the People. “My inspiration for creating photographs stems from finding and documenting peculiar juxtapositions in everyday places. This process often involves the act of rephotographing photographs. My current series, Landscapes for the People, looks at the use of romanticized wallpaper landscape photographs found in everyday environments. These wall sized […]

Adam Tindale and Jordan Tate. Work from Lossless Processing. “Lossless Processing challenges the representational nature of photography and examines programming as a visual medium by re-ordering the digital photograph using Processing and a custom QuickSort algorithm. Sorting algorithms are one of the most basic functions in computer science, and analogous to our cognitive thought processes. […]

Roni Horn Work from her oeuvre. “…Horn explores the mutable nature of art through sculptures, works on paper, photography, and books. She describes drawing as the key activity in all her work because drawing is about composing relationships. Horn’s drawings concentrate on the materiality of the objects depicted. She also uses words as the basis […]

Maury Gortemiller Work from All-Time Lotion. “My photographs are the product of image-making that is both intuitive (responding quickly to visual phenomena) and ambiguously choreographed. I am interested in reinterpreting and altering the intentionality of spaces and found items. Somewhere between instinct and cognition lies the overlooked residue of experience. This series maintains the semblance […]

Lars Tunbjörk Work from The Office. “Tunbjörk’s images observe the sterile interiors of nameless business offices that, though different in name, share a lexicon of commercial iconography: neon lights, industrial ventilation systems, thin metal framed windows, computers, filing cabinets, and—most pronouncedly—white and grey cubicles. The series remains firmly grounded in this commercial world with little […]

Harrison Haynes Work from Distruptive Patterns. “LB: Your work often contains an isolated object/figure in an open field as is the case here. Is this an aspect of the work, or a way of discussing the work? HH: I have a preoccupation with decontextualization. Focusing on details or objects within my everyday surroundings and thinking […]

Jill Sylvia Work from Balance Sheets and Reconstructions. “Ledger sheets are traditionally used to record the financial transactions of a business or an individual. These papers host the data necessary for accounting information to be compiled, and for analysis in determining profit and loss. They are the material of economics. In an attempt to understand […]

Naho Kubota Work from Unrevealed and Minimum Structure. “Unrevealed, a continuous body of work, takes unknown organic forms and transforms them into abstract color patches using subdued colors and a soft focus. The simple use of muted colors removes the observer from the conscience and allows a disconnect from its inherent pattern making and dominance […]